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Of Walking in Ice

Munich-Paris, 23 November–14 December 1974

ebook
1 of 1 copy available
1 of 1 copy available

In late November 1974, filmmaker Werner Herzog received a phone call from Paris delivering some terrible news. German film historian, mentor, and close friend Lotte Eisner was seriously ill and dying. Herzog was determined to prevent this and believed that an act of walking would keep Eisner from death. He took a jacket, a compass, and a duffel bag of the barest essentials, and wearing a pair of new boots, set off on a three-week pilgrimage from Munich to Paris through the deep chill and snowstorms of winter.

Of Walking in Ice is Herzog's beautifully written, much-admired, yet often-overlooked diary account of that journey. Herzog documents everything he saw and felt on his quest to his friend's bedside, from poetic descriptions of the frozen landscape and harsh weather conditions to the necessity of finding shelter in vacant or abandoned houses and the intense loneliness of his solo excursion.
Includes, for the first time, Werner Herzog's 1982 "Tribute to Lotte Eisner" upon her receipt of the Helmut Käutner Prize


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    • Publisher's Weekly

      March 16, 2015
      In late 1974, Werner Herzog was on a mission. He believed that his friend Lotte Eisner, a film historian, would survive a serious illness if he walked from Munich to Paris, where she was convalescing. This eloquent diary recounts his journey and his fleeting thoughts while walking. He offers typical Herzogian observations of the coarse salt on pretzels and the trusting faces of sheep caught in a snowstorm. But perhaps more revealing is his mix of pensive musings about loneliness and practical concerns about his blisters and swollen Achilles tendon, the constant rain, and finding a place to sleep. Herzog's slight narrative is captivating because his experiences humanize the legendary filmmaker. He is full of curiosity and wonder. Finding cigarette packets on the roadside or a bicycle discarded in a brook stimulates his imagination. A rainbow inspires confidence, while cranes flying in formation provide a "metaphor for him who walks." Even when he meanders into strange asides, such as a story about his grandfather, Herzog remains interesting. This book is especially satisfying to imagine as a documentary narrated in Herzog's distinctive voice.

    • Kirkus

      March 1, 2015
      Diary of a passionate quest.In 1974, when he was 32, acclaimed film director, writer, and producer Herzog (Conquest of the Useless: Reflections from the Making of Fitzcarraldo, 2010, etc.) set out on foot from Munich to Paris with the goal of saving a dying friend, the film critic and poet Lotte Eisner. For Herzog, walking was an exercise in magical thinking. "When I'm in Paris she will be alive," he told himself. "She must not die. Later, perhaps, when we allow it." At that point in his career, he had completed only one movie, Aguirre, the Wrath of God (1972). Dozens of works, including Nosferatu the Vampyre (1979) and Fitzcarraldo (1982), lay in the future. Originally published in 1978, this raw, emotional account of his three-week journey, from late November to December, reveals an astute observer, a painterly writer, and a man desperate to achieve his goal. Like a Romantic hero, Herzog finds that nature echoes his state of mind: "Dusky desolation in the forest solitude, deathly still, only the wind is stirring." He walked through blizzards and suffered bone-chilling cold, and when he could not find an inn for the night, he buried himself under hay in barns. Sometimes, he broke into vacant homes, taking brief refuge. He sustained himself mostly on milk and tangerines; often, he was parched with thirst. His feet, in new boots, blistered and ached. He endured pain in his knee and an Achilles tendon that swelled to twice its size. He was plagued by horseflies, and his duffel bag rubbed a hole in his sweater. Suffering, though, only spurred him on. Two weeks into the journey, he was overcome by "severe despair. Long dialogues with myself and imaginary persons." Finally, he arrives at Eisner's bedside: she was alive, and she lived for nine more years. A brief but poetic rendering of a fraught and wild pilgrimage.

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