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The Distinguished Guest

A Novel

ebook
2 of 2 copies available
2 of 2 copies available

“Miller depicts [her characters] with grace and elegance, enriching their perceptions with strands of connecting images and intertwined history.... A very moving book.”—New York Times Book Review 

The moving story of a mother and son that touches the deepest concerns about love, art, family, and life.

Lily Maynard is proud, chilly, difficult, and has become a famous writer at age seventy-two. Now, stricken with Parkinson's disease and staying with her architect son Alan, Lily must cope with her fading powers as well as with disturbing memories of the events that estranged her from her children and ended her marriage. For Alan, her visit raises old questions about his relationship with her, about the choices he has made in his life, and about the nature of love, disappointment, and grief. Profound and moving, The Distinguished Guest reveals a family trying to understand the meaning of its life together, while confronting inevitable loss and the vision of an immeasurably altered future.

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    • Publisher's Weekly

      April 3, 1995
      One of Miller's signal strengths as a novelist is her eye for emotional and moral ambiguities. In her mature and intelligent fourth novel (after For Love), she subtly examines the themes of parental responsibility and failed communication in the context of a family attempting to hew to the highest religious principles. When celebrated 72-year-old writer Lily Maynard is forced by Parkinson's disease to move into the Massachusetts home of her architect son, Alan, and his French-born wife, Gaby, Alan is no longer able to surpress the resentment that he has buried for decades. In a memoir highly praised by feminists, Lily has described her youthful years as a dutiful wife of a gifted young minister in Chicago; her gradual disillusionment with her husband as he embraced militant social activism to achieve racial integration; her estrangement from the church; and her decision to dissolve the marriage. Alan knows that he and his two older sisters suffered from their father's expulsion and from their mother's coldness. Lily continues to offer self-serving versions of her life to a journalist who, visiting the house to interview Lily, becomes a catalyst for unearthing shared memories. Meanwhile, Alan's inner rage disturbs the delicate relationship between him and Gaby and their own two sons. Miller walks a delicate line here, rendering Lily as demanding, arrogant and spiteful; yet Lily's ultimate acknowledgement of her true motives carries poignant weight. There are no grand dramatic revelations, but a series of small epiphanies reached by almost all the characters chronicles a mysterious alchemy of relationships--"the transformation into memory of a parent"--and the last images are of healing, reconciliation and endurance. Miller's candid but forgiving gaze falls evenly on all her characters; her feel for detail and narrative pacing is impeccable, and her wisdom in understanding human relationships resonates with universal implications. 200,000 first printing; $200,000 ad/promo; BOMC alternate; author tour; world rights to Maxine Groffsky; HarperAudio release.

    • Library Journal

      February 15, 1995
      Mom's coming to dinner-with a fawning journalist in tow.

    • Library Journal

      April 15, 1995
      Miller, acclaimed chronicler of family tales (e.g., For Love, LJ 2/15/93), here writes of the last days of Lily Roberts, an elderly woman who became famous in her seventies as a feminist writer. Illness forces her to move into the New England home of her son Alan, where she sets up shop while awaiting space in a nursing home. In this helpful, tolerant, but not especially warm household, Lily holds court to fans and journalists and surveys her past through old papers and letters, remnants of a life that reveal her failure as wife and mother. Though the novel contains wonderfully descriptive vignettes (e.g., the usually reserved Alan's wild dance in the midst of a hurricane), too many disparate elements, barely fleshed out, lead nowhere. Miller's fans may enjoy this, but newcomers might do better with one of her earlier novels. [Previewed in Prepub Alert, LJ 2/15/95.]--Marion Hanscom, Binghamton Univ. Lib., N.Y.

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  • English

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