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Rap on Trial

Race, Lyrics, and Guilt in America

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1 of 1 copy available
1 of 1 copy available

A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color

Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide.

Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts.

Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.

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    • Library Journal

      October 1, 2019

      Works such as Michelle Alexander's The New Jim Crow have examined the pervasiveness of racial bias in the U.S. criminal justice system. Nielson (liberal arts, Univ. of Richmond) and former assistant public defender Dennis (Univ. of Georgia Sch. of Law) look closely at one of the ways this bias occurs, documenting cases in which rap lyrics, introduced as evidence, had an effect on or even determined the outcome of a trial. The authors do not argue that defendants in these cases are always innocent, but rather that rap lyrics are unique in being used in this way; while other genres of music have had their days in court, they have not been used as evidence that a defendant actually committed a violent crime. Their explanation is multifaceted: juries are often comprised of people who don't understand rap (including its propensity for hyperbole), prosecutors use rap lyrics to help secure a conviction, and expert witnesses are often anything but. An introduction by rapper Killer Mike expands on how rap is often treated as autobiography instead of art--another way the criminal justice system perpetuates injustice. VERDICT An urgent call to action. Recommended for anyone concerned with social justice, which should be all of us. [See author spotlight on p. 109.]--Genevieve Williams, Pacific Lutheran Univ. Lib., Tacoma

      Copyright 2019 Library Journal, LLC Used with permission.

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  • English

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