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Everything and Less

The Novel in the Age of Amazon

ebook
1 of 1 copy available
1 of 1 copy available
National Book Critics Circle Award Finalist
Best Book of Fall (Esquire) and a Most Anticipated Book of 2021 (Lit Hub)
What Has Happened to Fiction in the Age of Platform Capitalism?

Since it was first launched in 1994, Amazon has changed the world of literature. The “Everything Store” has not just transformed how we buy books; it has affected what we buy, and even what we read. In Everything and Less, acclaimed critic Mark McGurl explores this new world where writing is no longer categorized as high or lowbrow, literature or popular fiction.
Charting a course spanning from Henry James to E. L. James, McGurl shows that contemporary writing has less to do with writing per se than with the manner of its distribution. This consumerist logic—if you like this, you might also like ...—has reorganized the  fiction universe so that literary prize-winners sit alongside fantasy, romance, fan fiction, and the infinite list of hybrid genres and self-published works.
This is an innovation to be cautiously celebrated. Amazon’s platform is not just a retail juggernaut but an aesthetic experiment driven by an unseen algorithm rivaling in the depths of its effects any major cultural shift in history. Here all fiction is genre fiction, and the niches range from the categories of crime and science fiction to the more refined interests of Adult Baby Diaper Lover erotica.
Everything and Less is a hilarious and insightful map of both the commanding heights and sordid depths of fiction, past and present, that opens up an arresting conversation about why it is we read and write fiction in the first place.
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    • Publisher's Weekly

      August 9, 2021
      By turns provocative and tedious, literary critic McGurl’s sweeping literary history examines the relationships between writing, reading, publishing, and Amazon. Drawing on theory, sociology, and economics, McGurl (The Program Era) studies Amazon’s impact on novels and genres, wondering “what’s going on inside the books that business brings to market” and asking “what the novel is now.” McGurl defines familiar terms such as author, reader, and fiction in ways that illustrate Amazon’s approach to literature: the author, for example, “should consider himself as a kind of entrepreneur and service provider,” while Amazon sees the reader as a “customer with needs, above all a need for reliable sources of comfort, or utility.” And whereas genre used to be “a way of piecing through the different things that stories can do for us and instructing writers to construct them accordingly,” it is now “a version, within the literary field, of the phenomena of market segmentation and product differentiation.” While McGurl’s dense academic study often relies on sprawling, jargon-filled sentences, he nevertheless raises significant questions about the state of publishing. For those in the industry, this is worth a look.

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  • English

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