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Lojman

ebook
1 of 1 copy available
1 of 1 copy available

WINNER of the Republic of Consciousness Prize!

Abandoned by her husband, marooned by an epic snowstorm, a mother gives birth to her third child. Her sense of entrapment turns into a desperate rage in this unblinking portrait of a woman whose powerlessness becomes lethal.

Lojman tells, on its surface, the domestic tale of a Kurdish family living in a small village on a desolate plateau at the foot of the snow-capped mountains of Turkey's Van province. Virtually every aspect of the family's life is dictated by the government, from their exile to the country's remote, easternmost region to their sequestration in the grim "teacher's lodging"—or lojman—to which they're assigned. When Selma's husband walks out one day, he leaves in his wake a storm of resentment between his young children and a mother reluctant to parent them.

Written in startling, raw prose, this novel—the author's first to be translated into English—is reminiscent of Elena Ferrante's masterful Days of Abandonment, though its private dramas are made all the more vivid against an imposing natural landscape that exerts a powerful, life-threatening force.

In short, propulsive chapters, Lojman spins a domestic drama crystallized through the family's mental and physical claustrophobia. Vivid daydreams morph with cold realities, and as the family's descent reaches its nadir, their world is transformed into a surreal, gelatinous prison from which there is no escape.

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    • Publisher's Weekly

      June 26, 2023
      Ojen’s intense and surreal English-language debut portrays isolation, resentment, and ambivalence in a wintertime Turkish village. Selma, 42, gives birth at home in the lojman, the teacher’s house at the edge of a remote village, in front of her children, teenage Görkem and the younger Murat. Selma’s husband, Metin, has left the house after an argument and hasn’t returned, and as winter storms keep the village cut off from the outside world, the family begins to come undone. Görkem dreams of Mahir, another missing village schoolteacher, imagining scenarios that combine sex and bloodshed. Caring for the nameless new baby falls to the sensitive Murat, as Selma, whose “desire to be free of all obligations” causes her to resent her children, begins to lose her grip on reality. Neighbors Yasin and Songül witness the family’s growing derangement but are unaware of the true level of madness building inside the lojman until it swells into a nightmarish ordeal for the village. Ojen has constructed a claustrophobic world in which the mixture of “some affection and some hatred” that can characterize family life finally spills over into a fantastically violent conclusion. This relentless narrative will stun and frighten readers in the best way.

    • Kirkus

      July 1, 2023
      A Kurdish family is trapped in a mother's madness. Ojen, a film and television actor, sets her bleak third novel--the first to be translated into English--in a desolate village in her native Turkey. A storm rages, and Selma is snowbound in a small, rudimentary lojman, a house provided by the government for her husband, Metin, the elementary school's teacher. The house is isolated, "a forgotten dot on the village's suffocating landscape, distant and alone under the dark clouds," and Metin has gone off, leaving her with their pubescent daughter, G�rkem, their young son, Murat, and the baby to whom she gives birth as the novel opens. Ojen conveys in visceral detail the anguish of the family's claustrophobic imprisonment in the "crushing grayness" of the lojman, where the storm's rage echoes the rage within: G�rkem hates her mother, whose moods veer from "unanticipated bliss" to violent anger. And Selma, longing for passion, poetry, and freedom, feels nothing but hatred for her children: "Her children were parasites!" she thinks. "They were nothing but maggots that had first depleted her calcium deposits, then plundered the most sensitive parts of her soul to take them as their own, pinning the features of her body onto theirs." She resents caring for them, even feeding them. She sees G�rkem as "a monster who always demanded more of everything. Of food, love, anger, forgiveness, enmity." Her hungry infant seems to suck her dry. It is the gentle Murat who soothes the baby when his mother, and sister, refuse to care for him. Day by day, as the weather becomes increasingly brutal, Selma descends into madness: "She felt like a shipwreck lodged in the deep, dark seafloor. Caught in the tides of her thoughts, watching her life force wither." The children are caught, too, as is the reader, spiraling into a surreal world. A stark, grim portrait of despair.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

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